Fuorisalone 2026 is fast approaching, and with the unveiling of the totemic work created by Fidia and Angelino Artworks – Still 1492 | Never Ending Story – on the horizon, we wanted to hear from the woman we might call the project’s guiding muse: Ashley Callingbull. Actress, model, and television host, originally from the Enoch Cree Nation in Alberta, Canada, and a global voice for the rights of Indigenous peoples.
Ashley, today you are one of the most influential voices on Indigenous rights, including among younger generations. What do you think is the most important message the world should understand today about the history and identity of Native peoples?
I would say the most important message is that our history is not something confined to the past, it is living, ongoing, and deeply connected to who we are today. Indigenous peoples are not relics of history books; we are vibrant, evolving nations with languages, cultures, and identities that have survived despite centuries of colonization. The world needs to understand that our stories include resilience, strength, and continuity, not just trauma. Recognizing that truth is the first step toward genuine respect and reconciliation.
Many young people are rediscovering their cultural and spiritual roots. How important is it today to defend and pass on the values of Indigenous traditions in an increasingly globalized society?
It’s incredibly important. In a globalized world, it’s easy for cultures to become diluted or misunderstood, but for Indigenous youth, reconnecting with their roots is an act of empowerment. Our traditions carry teachings about identity, responsibility, and belonging. Passing them on ensures that future generations know who they are and where they come from. These values aren’t just relevant, they’re necessary anchors in a fast changing world.
The new totem Still 1492 | Never Ending Story, created by Fidia in collaboration with Angelino Artworks and inspired by you, denounces the violated rights and stolen lands of Native American peoples. Looking at today’s world, what injustice or contradiction do you hope viewers recognize immediately when they confront this work?
When people see Still 1492 | Never Ending Story, I hope they immediately recognize that colonization is not just history, it’s ongoing. The contradiction is that while many societies celebrate progress and human rights, Indigenous communities are still fighting for basic rights to land, water, and self-determination. I want viewers to confront that discomfort: how can we call ourselves just and equal societies when these injustices persist?
This work will be presented in Milan during Fuorisalone 2026, one of Europe’s most international cultural events. Do you think contemporary art can become an effective tool to bring Indigenous issues back to the center of the global conversation?
Absolutely. Art has a unique ability to reach people emotionally, beyond statistics and headlines. At an event like Fuorisalone in Milan, where people from all over the world gather, this work can spark conversations that might not happen otherwise. Contemporary art can translate complex histories into something immediate and human. It invites people not just to observe, but to feel and feeling often leads to awareness and action.
Many Indigenous cultures have always spoken of balance between humans, community, and nature. Looking at today’s environmental and social crises, do you think modern society has something to learn from that vision?
Yes, deeply. Indigenous worldviews are rooted in balance, between people, the land, and all living beings. Modern society often prioritizes consumption and growth over sustainability and connection. The environmental crises we face today are a reflection of that imbalance. Indigenous teachings remind us that we are not separate from nature but we are part of it. There’s so much wisdom there that could guide us toward a more sustainable and respectful way of living.
If you could speak directly to the people who stop in front of this totem in Milan, what question or thought would youwant to leave with them?
I would ask: What does it mean to truly listen?
Not just to this artwork, but to the voices and experiences it represents. Are you willing to question what you’ve been taught? Are you open to understanding perspectives that challenge your worldview? Change begins with listening, not to respond, but to understand.
Looking at your personal experience and the stories of your community, is there a memory, teaching, or moment you feel compelled to share to truly convey to the audience the strength and resilience of Native peoples?
One teaching that stays with me is the importance of community and honoring those who came before us. I think about the strength of my ancestors and how they endured so much so that I could stand here today and share my voice. That resilience lives in all of us as Indigenous people. It’s not just about surviving, it’s about thriving, reclaiming our identity, and carrying our culture forward with pride. That is the something I want people to remember.
